‘Try a Little Tenderness’: as Lady Chatterley’s Lover comes to Netflix, Sally Minogue looks at both novel and adaptation. I always labour at the same thing, to make the sex relation valid and precious, instead of shameful. And this novel is the furthest I’ve gone. To me it is beautiful and tender and frail as… Read More
Holding fast with Emma Rice’s Wuthering Heights: Stefania Ciocia embraces the power of Nature and of artistic adventures. I remember the first time I read Wuthering Heights. I remember it for all the wrong reasons. I was still in high-school, and the long summer holidays afforded me ample time to read. With classes over from… Read More
Steve Carver discovers the supernatural fiction of Pulitzer Prize-winning author. The Mount in Lenox, Massachusetts is the house that Edith Wharton built. She designed it as an elegant retreat from New York society in which she could write and her mentally ill husband, Teddy, could hopefully find some peace. The couple lived within its white… Read More
Emily, a film loosely based on Emily Brontë’s life, has hit the screens. Sally Minogue finds herself at odds with the rave reviews. As soon as I had seen the film Emily, I knew what the first sentence of this blog was going to be: ‘Emily is pure codswallop’. But me no buts. But …… Read More
‘I shall try to fly by those nets’: Sally Minogue offers a final reflection on literature and Empire. If we needed a reminder of the ability of the British to erase the blood-steeped events of our imperialist history, look no further than the late Queen’s funeral. Charlotte Higgins, writing for The Guardian (online September 19),… Read More
As the Committee of the Swedish Academy put the Nobel Prizes for 2021 behind them and begin to consider the nominations for 2022, Sally Minogue looks at some of the past winners of the Nobel Prize in Literature.
As ‘It’s a Sin’ comes to the end of its run on Channel 4, and we celebrate LGBTQ+ History month, Sally Minogue looks at the sometimes hidden history of diverse sexualities in literature.
Andrew Palmer considers whether George Orwell’s allegorical tale of the Russian revolution may have had an unexpected influence.
Steve Carver looks at ‘The Tenant of Wildfell Hall’, Anne Brontë’s second, and final, novel