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Elizabeth Cleghorn Gaskell (1810-1865) was a popular Victorian novelist, whose works realistically portrayed the harsh realities of urban poverty and industrial strife. Her status as a fine novelist continues to this day, with the television adaption of ‘Cranford’ increasing public awareness of her works. She was also a talented writer of supernatural stories, as the Wordsworth collection of her stories demonstrates.

When John Galsworthy (1867-1933) died, he was at the height of his popularity with the reading public, and had been awarded the Nobel Prize for Literature in 1932. Already derided by modernist writers like Woolf and Lawrence for his old-fashioned values, interest in his works fell away sharply. The revival came in 1967, when the BBC Television adaptation of ‘The Forsyte Saga’ firmly established his place in literary history once more.

One of the primary reasons for the works of Ford Madox Ford (1873-1939) being undervalued was his own endless self-promotion – truly a legend in his own mind – which tended to produce the opposite effect with his critics. In truth, ‘The Good Soldier’ is one of the great modern novels, ranking alongside Conrad, Joyce and James, and his fine tetralogy which makes up ‘Parade’s End’ has been the subject of a recent TV adaptation.

Henry Fielding (1707-1754) was an English novelist; building on the foundations put in place by Daniel Defoe and others, he was a major contributor to the form of the modern novel. He wrote four novels, of which the most enduring is ‘The History of Tom Jones, a Foundling’, widely regarded as among the finest books ever written.

George Eliot was the pen name of Mary Anne Evans (1819-1880), one of the leading writers of Victorian times. Like many of her contemporary female writers, she published her books using a male name in order to be taken seriously. Her novels, including ‘Adam Bede’, ‘The Mill on the Floss’ and ‘Middlemarch’, have remained perennially popular and the subject of numerous television adaptations.